D. E. Steward

 
Iuno

Eigh­teenth-cen­tu­ry Vien­na in win­ter, cart­ing and car­riage hors­es steam­ing under their blan­kets, Stephansdom’s bells clean on the hour, ice floe on the fast Danube, the dry heat of ceram­ic stoves, their exhaust a brown inver­sion lay­er between the city and moon

Tonight, here, the Leipzig Quar­tet per­forms Mozart’s C Major, K. 465, Dis­so­nance, as though born to it

Mozart fin­ished it on Jan­u­ary 14, 1785, and the A Major, K. 464, on Jan­u­ary 10th

In Vien­na, then “the land of the Clavier,” on Grosse Schuler­strasse where he’d moved with Con­stanze and Karl in October

One evening that ear­ly Feb­ru­ary, with his friend Haydn, the oth­er great prodi­giousis­to of their era, and his father Leopold in atten­dance, both the A Major, the C Major, pre­ced­ed by the E Flat Quar­tet, K. 428, were played sequen­tial­ly in all their wonder

The musi­cians almost with­in the hulk­ing night shad­ow of Stephans­dom laughed and hoot­ed in their musi­cal bril­liance and the women with them rejoiced to be along

Mozart was bare­ly twen­ty-nine then, had already writ­ten what now is K. 465

With forty-eight sym­phonies fin­ished, includ­ing the great Lit­tle G‑minor, the amaz­ing Linz com­plet­ed the day before its first per­for­mance, and the even greater Haffn­er

Let alone all the con­cer­tos, sonatas, vocal, choral, church music and songs

French trains and the Paris metro have reserved seats for preg­nant peo­ple and mutilés de guerre, and there are metaphor­i­cal first-class com­part­ments for the intel­lec­tu­als, the third class of exceptionals

The rest of France doesn’t ride there with the intel­lec­tu­als, is main­ly unin­ter­est­ed in what goes on with them, but knows that those com­part­ments’ seats will always be full

When con­sid­er­ing the world, look upstream, as from an island in the mid­dle of a wide and fast-flow­ing river

India con­fi­dent­ly steers into its jin­go­is­tic mod­ernism with many mil­lions of AIDS cas­es and half its chil­dren still undernourished

“The mosques are our bar­racks, their domes our hel­mets / Minarets are our spears, the faith­ful our army” – Ziya Gökalp

Kit­tens on the swash of an Andalu­sian beach thrown out to drown, eyes closed, cov­ered with sand, strug­gling for warmth in the vast­ness at water’s edge

On the South Kore­an flag, the cur­sive halves of a Yin Yang cir­cle, the curvi­lin­ear dag­ger motif seen in trac­eries are called mouchettes

A pair of us, a pair of them

Bril­liant ear­ly morn­ing now, in low humid­i­ty, mist over open water, sun com­ing onto it through a foliage screen

The mist off the water gath­ers briefly into columns like small tree trunks that twist as they evap­o­rate upward

Cha­toy­ant pur­ple grack­les strut around as though they’re mere­ly cling­ing to the earth, pre­pared to take back to the air instantly

As though to the tem­po of the Ada­gio molto, the third move­ment, of Schumann’s A Major Quartet

“My world is the world of words and books. It is a crowd­ed, shrink­ing place. Not long ago it had been larg­er, but…” ¬– Michael Holroyd

Gray

After June, 1941, before the gas cham­bers and cre­ma­to­ri­ums the SS-Ein­satz­grup­pen cruised Rus­sia, Belarus, Ukraine and the Baltic states and most­ly with small arms killed a mil­lion three-hun­dred thou­sand Jews

Most­ly face-to-face

Just as in Rwan­da the killers killed face-to-face

The peo­ple of Mozart, Haydn and Schu­mann used Lugers to the tem­ple or occiput, mobile gassing vans, starved hun­dreds of thou­sands behind wire in Ukraine

Babi Yar

Vida: Wak­ing from sleep and instant­ly won­der­ing when and where I am, and then find­ing the place in my life like rif­fling the pages of a book

Uni­bomber Ted Kaczyn­s­ki tried to bring down an Amer­i­can Air­lines flight in 1979 in his first ter­ror­ist attempt

With the com­pas­sion of a house cat killing songbirds

He and his con­sci­en­tious broth­er, both earnest oppo­site pitch spin­offs from the lone­ly Amer­i­can suburb

Feck­less you-can’t‑get-there-from-here feeling

Streets lead­ing to cir­cles with no exit, noth­ing lead­ing any­where else, every­thing zoned entire­ly, only the grass alive

Mock-state­ly cathe­dral ceil­ings and chan­de­lier entrances, cars parked in the dri­ve­ways, garages become stor­age sheds, no place for the kids to hang out

Miles to anywhere

And once there there, to a drea­ry town or mall, only more park­ing lots

Dimin­ished cos­mopoli­tanism, the same mis­take Emper­or Nero made in encour­ag­ing gar­den estates inside his cap­i­tal, rus in urbe

Out­side, here, now, a dozen near­ly-mature wood ducks, churn­ing and bob­bing close around their moth­er who is con­fused now in her pro­tec­tive roll

A pil­i­at­ed woodpecker’s drum­ming out across the line of trees

“Drum slow, pow­er­ful, accel­er­at­ing, and trail­ing off at end; infre­quent, no more than two times per minute” – Sibley

Barlach’s Moses is stiff, right­eous and ver­ti­cal, with the tablets grasped under­neath in the way a per­son car­ries a wall mir­ror, the figure’s low­er lip stuck out self-righteously

Nov­el­ists’ ear­ly books are often worth read­ing for all the eager, impas­sioned infor­ma­tion implic­it in their pedantry

The tech­no-didac­tic, the brand-name indulgent

Argu­ing the great-man-in-his­to­ry the­o­ry is, with our per­spec­tive, prob­a­bly much like the medievals spec­u­lat­ing on angels

“What is remem­bered is not tes­ti­mo­ny but lit­er­a­ture” – Sontag

Pound tried hard to cre­ate new mys­ter­ies in a world that to him appar­ent­ly had few mys­ter­ies left

The reli­gious – oth­er than nuns, monks and the like – are nec­es­sar­i­ly split between the con­tem­pla­tive and the active

An Anglo-Sax­on noun for con­science is ynwit

In the trop­ics, and after hot days any­where, pools of heat hang into the night under thick-foliaged trees

Cecil Rhodes made his bequest to train Amer­i­cans at Oxford under the impres­sion there were still only the orig­i­nal thir­teen states that the British Empire might be able to win back

Whisky was that empire’s Krazy Glue

Ours is fast food

“As it were,” in that pecu­liar Eng­lish pen­chant for ver­bal­ly pref­ac­ing every­thing they’re about to do

Ours for self-right­eous jus­ti­fy­ing is usu­al­ly, “Absolute­ly”

Vida: At a cross­roads in Sile­sia six kilo­me­ters from Auschwitz, stopped to watch five Roma wag­ons mov­ing slow­ly northward

Trot­ted along beside one for a while, the man on the box said they might reach the Baltic that sum­mer, and that they’d come south again to win­ter below the Carpathians

Roma must have cursed in Romany as they faced the Mausers, as they were steered toward the bur­ial pits or gas cham­bers, sneered back over their shoul­ders at the sol­diers and guard dogs who crowd­ed them

The Roma, slain in the tens of thou­sands, prob­a­bly were the least com­pli­ant in the camps

Jews and Roma both pushed out­side fas­cist soci­ety, dying togeth­er for the same and dif­fer­ent reasons

Only Ger­mans could have con­coct­ed a ratio­nale for that

There are always peo­ple who look like oth­er peo­ple, and peo­ple who look like the type of peo­ple each of us knows most of

But of course these lat­er ones are almost nev­er the unspe­cif­ic per­son supposed

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D. E. Stew­ard is in his twen­ty-sixth year of months in the mode of “Iuno.” Writ­ten seri­al­ly, month to month, many have auto­bi­o­graph­i­cal ref­er­ence, but the work is not an expand­ed Jahrbuch. It has affin­i­ty to Cyril Connolly’s The Unqui­et Grave, and Evan S. Connell’s two books of a sim­i­lar kind. Almost two thirds of the 308 months in the project so far have been pub­lished in mag­a­zines: Den­ver Quar­ter­ly, Con­junc­tions, Mass­a­chu­setts Review, Anti­och Review, Zone 3, Amer­i­can Let­ters & Com­men­tary, Grain, Bateau, Illu­mi­na­tions, etc.